It is our connections with the world around us that gives us our perspective on where we stand within that world. Connections are everywhere, between everything-I am talking here in a metaphysical sense, as opposed to the more obvious physical ones, although the picture here neatly encapsulates both. As I have been removing the old thatch on a building before replacing it with new, I have had a chance to look at the work of another thatcher, and think deeply about how this connects us. The old thatch is somewhere in the region of 75 years old, maybe a little more, and stands testament to the skill of the man who put it on, sometime in the 1930's. The hazel wood used to secure the reed is still strong, and the cord which attaches it to the roof frame has not rotted. The physical connection is intact. The metaphysical connection is between myself, the man who, all those years ago, originally thatched this roof, and even the person who, in seven decades from now, will be replacing my work. I cannot help but feel the link between us all, past, present and future, and I feel reassured with deep sense of continuity that for a long, long time, men have done what I do, and that they will continue to do so into the future.
My work connects me not only with the depth of human experience, but also with the natural world. Simply being outside is the first and most basic degree of this connection, for the essence of a building is to provide a barrier from the elements over which we have no control-the wind, the rain, the sun and the cold. But I also work using natural materials, and as is usually the case with such materials, it is a matter of working with them rather than trying to bend them to your will. I am currently using reed, which comes in bundles that, to the untrained eye, look identical. They are not-each has a subtle variation of shape, length or taper. Each will fit snugly into a certain place upon the roof, but try putting it into the wrong place and you end up struggling, cursing and losing the clean line you are aiming for.
There is a certain seasonality to thatching which again brings home our inescapable connection with the world around us. The reed is harvested in winter, when the flag or leaf has fallen and the reed becomes hard and dry. Winter will also find me in the hazel woods, coppicing the stools of seven year old hazel, to be split and used to form the decorative woodwork lattice on the ridge of the roof. Come high summer and I will be involved with the harvest of the long straw used in thatching, and cut in a manner our grandfathers would be familiar with. All these events happen when they do because that is when nature dictates they must happen-we cannot fight against this.
In the modern world, connections are now more likely to refer to the strength of a mobile phone signal or broadband capacity, but there is always scope to connect to the world around us, and the people in it. Sometimes though, one has to look a little bit deeper to truly appreciate the level of that connection. It could be by eating food that is only available at a certain time of year, it could be by thinking about the person who came before you in your work and the person who will follow, it could simply be by stepping outside and breathing deeply. However you do, it doesn't matter, it only matters that you do it, for without these connections we are set adrift, and lose our true place within this world.
The life of a thatcher in Norfolk and Suffolk-find out more at www.nickwalkerthatching.co.uk
Tuesday, 18 October 2011
Tuesday, 11 October 2011
The Wind
It sounds almost like a piece of Zen wisdom-it is pointless to be angry at the wind. And yet, when one is perched atop a ladder, holding light though bulky material of a decidedly un-aerodynamic nature, the feelings experienced tend to oscillate between anger and something like fear. Your grip on the ladder is tighter, your bracing against the buffeting gusts leaves you exhausted and yet still you work. You work because you can, just. Heavy precipition stops play, as do true gales but in the case of high winds, the line between workable and unworkable is blurred.
The UK is the windiest part of Europe, and whilst East Anglia cannot top the Hebrides for sheer wind speed, it can still blow. And blow hard. As bad as the gusts and blasts of autumn can be, they have nothing on the Lazy Wind of March. At this period in most years a bitter east wind gets up, forcing it's way from the cold heart of Russia and blowing for weeks at a time. They call it the Lazy Wind here on the east coast because it doesn't go round you, but straight through you. Few feel the wind in all it's moods as much as the thatcher.
The UK is the windiest part of Europe, and whilst East Anglia cannot top the Hebrides for sheer wind speed, it can still blow. And blow hard. As bad as the gusts and blasts of autumn can be, they have nothing on the Lazy Wind of March. At this period in most years a bitter east wind gets up, forcing it's way from the cold heart of Russia and blowing for weeks at a time. They call it the Lazy Wind here on the east coast because it doesn't go round you, but straight through you. Few feel the wind in all it's moods as much as the thatcher.
Monday, 10 October 2011
The Start
As I spend a great deal of time perched upon a roof,with only myself for company, I tend to let my thoughts run wild. Unconstrained by conversation,with wide horizons in both a literal and metaphorical sense, a medium is needed to convey these thoughts. Hence the creation of this blog, to perhaps give an insight into the mind of a solitary artisan in modern England, to maybe inform and inspire those of you who have a passing interest in such things and mostly to allow me an output for transient ideas and musings.
Subscribe to:
Posts (Atom)